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Past Concerts & Reviews
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Maui Time - Arts and Entertainment
Music Scene
Maui's Orchestra Plays on Through Troubled Times
January 21, 2010
Top of the Pops
by Anuhea Yagi
"We try to perform classical music, written for the orchestra, in an entertaining way," says James Durham, conductor, musical director and one of the founders of Maui Pops Orchestra. "I say this a lot: style is everything." He utters the last three words with emphatic staccato. "We try not to be stuffy. If you play everything the same way, it can be so boring, and no one will come."
Stuffy pomposity is often - and unfortunately - associated with orchestral music (Seinfeld fans, for example, may recall the 1995 episode "The Maestro," in which Elaine dates an orchestra conductor who haughtily insists that everyone refer to him as "Maestro.") Countering such antiquated misconceptions is a battle of morale for orchestras in the modern age.
Strung to this issue is the ever-growing difficulty of keeping books in the black. The Honolulu Symphony filed for Chapter 11 bankruptcy in early November of last year - effectively canceling the remainder of the season of a dynamic orchestra, founded in 1900 and heralded as "the oldest orchestra west of the Rocky Mountains." Dozens of other orchestras across the country are succumbing to a similar fate, leaving loyal audiences grieving. To stay afloat, creative enterprises of all kinds have to get creative.
With our very own Maui Pops - a community orchestra that strives for accessibility - the modifier of its name implies the excitement of popular music. That aim to entertain will be on display this Sunday, during Maui Pops first concert of the year. Titled "Music from Around the World," the program pools from the orchestra's library of international selections and will include a special dance performance and two numbers that showcase rising-star guest musicians.
"Every concert has a theme," says Durham of Maui Pops' shows, which typically number four annually. For this installment, Durham explains that "music from various countries or regions have a sound synonymous to the area, region or nation - sometimes being nationalistic - and it's often recognizable to the ear."
Keeping with the orchestra's goal to "entertain, educate and empower our listening audience to fully enjoy the broad spectrum of music written for the symphony orchestra," the night of the show, Durham says, "I'll be doing a lot of talking, though not as a lecture. My goal is to educate." Musical insight from a conductor and 15-year veteran violinist with the Rochester Philharmonic Orchestra will undoubtedly be fascinating, as will the historical elements associated with each number.
Sunday's program will consist of music from 10 countries as well as the mythical South Pacific island of Bali Hai. The dramatic folk sound of "Russian Sailors Dance," gypsy music of "Hungarian Dance #5" and fiery "Tango Argentine," give clear indication where the pieces originate - yet sounds can be deceiving. "Ritual Fire Dance" - a piece that evokes the passionate flamenco of Spain - was written by an Italian composer, while "Adagio for Strings" - though it sounds Italian - was written by an American. These cross-cultural compositions are "very common," says Durham.
"Adagio for Strings" will feature a special performance by five advanced string students. "We try to do that as much as we can," says Durham of bringing in youth to the orchestra. Additionally, dance students from the Maui Academy of Performing Arts will lend their legs to the rigorous chorus line moves of the French cancan, for the piece "Gallop-Can-Can."
The evening's most unique piece may well be the after-intermission installment titled "The Warrior," for orchestra and taiko drums. Also student-centered, the piece was arranged by Maui Pops' own principal percussionist Preston Jones, a senior at Maui High School and a three-year regular member of the orchestra. Son of the founders of the Maui taiko group, Zenshin Daiko - a nonprofit with about 40 youth members whose talents have taken them from Oshkosh, Wisconsin to Hachioji, Japan - Jones will lead three other taiko drummers and three Japanese flutists from the group, providing a powerful centerpiece to the orchestral arrangement.
With captivating programming and strong youth involvement, the future of Maui Pops looks bright. Yet many additional challenges exist. Some are satisfying - Durham takes particular pride in creating a cohesive sound while balancing the wide range of skill level that exists within a community orchestra. But, there is always the bottom line. Just the expense of renting or purchasing music from publishing houses is sizeable. Some pieces are no longer available for sale, and the cost of rental-only often starts around $400 each. Each song requires pages upon pages for each musician, tailored for their part.
"Music is printed on extremely thick, heavy paper, with a high cloth content," Durham says. "It has to be of very high quality to withstand wear and tear," he adds, referencing the consistent handling, as well as the repeated writing and erasing of notations. Given the cost, when developing a show Durham tries to use pieces from their own library as much as possible - the huge volumes of which are meticulously tracked and maintained by the orchestra librarian, Julie Patao.
Another advantage of using what they have is that the music is already well suited for the orchestra. Suitability is a challenge for any musical director, but it stands as a particularly hyper-local obstacle, as the transient nature of the Valley Isle means musicians and members come and go.
Players currently number about 35 - 10 new players have been added in the last year - and though there are many double-decade strongholds who have played with Maui Pops since the very beginning, the orchestra must still import the occasional musician from Oahu. Essential players sometimes don't reside on Maui. Currently there are no bassoon players on Maui, and though the Valley Isle now boasts four French horn players, a few years ago, there were none.
"We are very fortunate to have a harpist, Kristine Snyder," says Durham. "We're very grateful, [because] financially, it would be impossible," he continues of the pricey logistics entailed in shipping a full-size harp to Maui from Oahu.
It is with obvious pride, though tinged with foreboding given the knowledge of other sinking symphonies, that Durham says, "the all-volunteer board of directors is tirelessly working, and we are successfully operating with [a] balanced budget."
That's not to say bankrupt orchestras like the Honolulu Symphony didn't employ hard work and dedication, but all have cited steep drops in the philanthropic donations that kept them afloat.
"My first thought is for the musicians - they've lost the place to express themselves," says Durham of Honolulu's bankruptcy. (He adds that he holds high hopes for the re-engagement of that orchestra.) "But most importantly, my thoughts are with the community. It's an important part of culture and life anywhere. Without [a symphony], it creates a cultural void." - MauiTime, Anu Yagi
Maui Pops Orchestra - Music from Around the World
Performance: Sunday, January 24, 3:30pm, Castle Theater, MACC, Kahului, 242-4228 or mauiarts.org
- HOLIDAY POPS! with special guest soprano Leighanna Locke
Sunday, December 13, 2009, Castle Theater, 3:30 p.m.
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The annual Holiday Pops concert Sunday, Dec. 13, will bring the season to life with carols, popular holiday music and classical favorites in a festive, family-friendly atmosphere. The Maui Pops Orchestra and guest artist Maui soprano Leighanna Locke will perform at 3:30 p.m. at the Maui Arts & Cultural Center's Castle Theater.
"You may feel you need a warm coat," conductor Jim Durham joked about Waldteufel's "smooth and familiar Skater's Waltz." And Leopold Stokowski's arrangement of Bach's Toccata and Fugue "makes the orchestra sound like a great pipe organ."
As music director of the Maui Pops Orchestra, Durham is primary conductor and also responsible for coordinating all the music the orchestra performs. The recipient of the 2009 Maui County Commission on Culture and the Arts' Pundy Yokouchi Award for his work with the Maui Pops Orchestra, Durham is one of the founders of the Maui Pops and is committed to keeping symphonic music accessible and exciting for Maui residents and guests.
Several of the pieces Durham has chosen for this concert will feature soprano Leighanna Locke, whose most recent credits include Maria in The Sound of Music with Maui On Stage, Marian the Librarian in Maui Academy of Performing Arts' production of The Music Man, as well as Mabel in MAPA's Pirates of Penzance. Locke is a drama and voice teacher for MAPA and a private vocal instructor.
Locke's pieces for the Holiday Pops concert will include Rockin' Around the Christmas Tree ("in the style of Brenda Lee," Durham said) and her special arrangement of Silent Night, accompanied by harpist Kristine Snyder. Locke's main solo piece will be Wishing You Were Somehow Here Again from Phantom of the Opera.
+Program
| Song |
Arranger |
| Toccata and Fugue |
Bach/Stokowski Arr. Hayman |
| Carol of the Drum |
Ray Wright |
| Christmas Waltz |
Styne |
Vocalise (Leighanna Locke) |
Rachmaninov Arr. Mason |
| Skater's Waltz |
Waldteufel |
Rockin' Around the Christmas Tree (Leighanna Locke) |
Marks |
| Roumanian Rhapsody No. 1 |
Enesco |
| Intermission |
Deck the Halls Tradional |
Arr. Chip Davis of Mannheim Steamroller |
Silent Night (Leihanna Locke/Kristine Synder) |
Gruber |
| Blue Danube |
J. Strauss, Jr. |
Wishing You Were Somehow Here Again (Leihanna Locke, soloist) |
Webber From Phantom of the Opera |
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Saturday, December 19, 2009, Castle Theater, 7:30 p.m.
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MACC presents WILLIE K. with the Maui Pops Orchestra
Charismatic island performer Willie Kahaialii shares his love of opera, his huge voice, and his outstanding guitar talent with the Maui Pops Orchestra during this special holiday show. Willie K's passion, creativity, humor and musical virtuosity creat an exceptional complexity that often brings audiences to tears and to their feet. Christmas music will never be the same again.
- Maui Pops Spring Fest Was As Good As It Gets 3/12/2009
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Maui Pops Can't Be Beat - For pure entertainment, the Maui Pops Spring Fest was as good as it gets. "Eclectic" was the buzz about the program.
What can you say about a pops orchestra, three Elvis impersonators, Cameron Keys as the Above Average Who Dini (not quite great), Jimmy Borges channeling "The Chairman of the Board," and the astonishing Hyperion Knight, tearing into Gershwin and then raising the Rachmaninov 2nd Concerto to the level of any of the great pianists of our time. Jimmy's hana hou was a spellbinding rendition of Fly Me to the Moon, a capella and without a mic.
Maestro Jim Durham was superb throughout the evening, but the orchestra and he really proved their mettle on the Rachmaninov. Pops President Bob Dant should be proud of this truly wonderful performance. Bravissimo!
Maui Weekly Article by Paul Janes-Brown
+A Knight To Remember 3/5/2009
Pianist Hyperion Knight will join Maui Pops Orchestra and Jimmy Borges Sunday at the MACC

Maui Pops Orchestra, with featured guests Hyperion Knight and Jimmy Borges, performs in the MACC's Castle Theater at 3:30 p.m. Sunday. Tickets are $10, $21, $26 and $36 plus applicable fees, and half-price for kids 12 and younger; available at the MACC box office, 242-7469 or www.mauiarts.org.
After backing Keali'i Reichel earlier in the year, the Maui Pops Orchestra returns to the MACC with a Spring Fest concert based on the theme of a Las Vegas review featuring veteran jazz singer Jimmy Borges and pianist Hyperion Knight. Besides the acclaimed pianist and singer the program will include magician Cameron Keyes and an Elvis Presley contest.
Known for the diversity of his repertoire, Knight's recordings range from Beethoven and Stravinsky to Gershwin and the Beatles. In addition to regular appearances with orchestras across the United States, he has been a featured entertainer at Manhattan's Rainbow Room and Essex House, and he makes frequent concert presentations on luxury cruise lines.
A Gershwin enthusiast, he has recorded two CDs devoted to unique arrangements of Gershwin's music, and frequently performs "Rhapsody in Blue" and the "Concerto in F," most recently with the Santa Fe, Long Beach, Tennessee and New Mexico symphony orchestras. "Not since Heifetz has anyone played Gershwin solos with this much panache," praised an American Record Guide review. "The songs glitter like jewels against black satin."
Accompanied by the Maui Pops Orchestra with guest conductor Jim Durham, Knight will play Rachmaninov's romantic "Piano Concerto No. 2," and a solo Gershwin medley.
Singing professionally for more than 50 years, Borges was bestowed with a Lifetime Achievement Award at the Na Hoku ceremonies last year. Performing in a range of venues, from night clubs to casinos, from symphony concerts to jazz festivals, he has appeared in movies and TV shows including "Magnum, P.I." and "Hawaii Five-O."
A frequent performer in Las Vegas, Frank Sinatra honored Borges by providing free access to his musical arrangements. He was allowed to select from a library of more than 2,000 arrangements ones that he wanted to use in concert. He chose 68, which Borges has estimated are worth about $750,000. Borges is reportedly the only singer ever allowed complete access to Sinatra's legendary musical arrangements. He will sing the best of Sinatra on Sunday.
"I sing the music the way it's written; I'm faithful to his music," Borges has said. "I try to invoke that inherent sense of honesty in the singing. When Frank sang ballads he never hit you over the head with it and you still believed him when he said he loved someone or was devastated by a broken love affair."
The Elvis Presley competition will feature the top three performers from auditions held on Feb. 27 at the Maui Mall, hosted by Jerry Eiting. Contestants were required to wear Elvis costumes, and sing one of six Elvis songs including "Hound Dog" "Jailhouse Rock" and "Blue Suede Shoes."
Magician Keyes, billed as "An Above-Average Who-dini," will perform his illusions while the orchestra plays a musical medley.
Maui News Article by Jon Woodhouse
+Maui Pops Orchestra Says Thank You To Donors 11/1/2009

The Maui Pops Board of Directors celebrated music and art and teamed up with Lahaina Galleries at the Shops of Wailea and award-winning artist Ronaldo Macedo, November 1st, to thank donors who are playing an important roll in sutstaining the orchestra's ongoing success.
More than 70 guests feasted on a sumptuous array of pupu, viewed art from 30 international artists and six paintings of Conductor Stuart Chafetz created especially for the event and available for purchase.
Gallery owner Jim Killett and Macedo donated a giclee print for a prize drawing. Called "Siblings," the print features keiki Summer and Ocean Macedo frolicking on a beach. Ed and Judy Mee of Makawao were the lucky winners and were thrilled to meet the artist, his wife and his children who were the subjects of the giclee.
+Music Pops - No Bones About It 10/28/2008

Stuart Chafetz, music director of the Maui Pops Orchestra, leads the musicians performing for local students at the Maui Arts & Cultural Center's Castle Theater on Monday morning, following the Pops successful Halloween Spooktacular Concert on Sunday, October 26th.

More than 2,000 keiki got a chance to experience composer Sergei Prokofiev's "Peter and the Wolf" during two separate performances. In addition, they listened to musical selections from "Harry Potter" as well as the theme from "Mission Impossible." Members of the orchestra also had a chance to show the audience what their individual instruments can do. A friendly skeleton waited for the musicians onstage before the performance.

Prizes were awarded during the Halloween Spooktacular for the best costumes in different divisions. We thought you'd enjoy seeing the winners of the Keiki division. We had a tie for first place, voted for by audience applause. After several attempts to select a clear winner, the audience determined they were both 1st Place Winners. We're sure you'll agree that Liam, Thomas the Train's engineer and Townsend, the Laundry Boy richly deserve the joint award.
+Maui Pops given $2,000 5/14/2008
The Maui Pops Orchestra received a $2,000 grant from the Jose L. Romero Memorial Fund to be used for honorariums for Maui musicians playing in the orchestra. The orchestra brings light classical concerts to Maui, to schoolchildren and to the senior community unable to attend concerts at the Castle Theater. The conductor is Stuart Chafetz. The Romero fund is a donor-advised fund of The Hawai'i Community Foundation.
+Maui Pops Fills Castle Theater With Frightfully Good Fun For All Ages 10/31/2007

A swaggering pirate was dancing with a sleek black cat; three little witches were twirling and cackling; and Alice in Wonderland was running around asking everyone, "Please, have you seen my rabbit?" And that was just the dance floor of the Maui Pops Orchestra Halloween Spooktacular Concert at the Maui Arts & Cultural Center's Castle Theater last Sunday.
Up on the stage, a ghoulish orchestra of gypsies, ballerinas and giant winged insects played their violins, trombones and trumpets in a whirl of energy. And leading them all was Count Dracula himself, conductor Stuart Chafetz. Black cape swirling, Chafetz led the orchestra through a clap-filled romp of fun and spooky favorites, from "The Entrance of the Gladiators" to the theme from "The Pink Panther."
It was a delightful, Halloween-ish afternoon for Maui residents and their families something less scary than the usual haunted house, something with a little more "pop" than the usual parade . . something just a bit more "classical."

"Are you having fun?" Chafetz leaned down and asked the bobbing sea of kids on the dance floor at one point during the afternoon. "Yes!!" they shouted back in chorus.
"See, we gotta start 'em young and get 'em going in classical music!" Chafetz gleefully told the audience.
Founded in 2004, the nonprofit, community-based Maui Pops Orchestra specializes in bringing contemporary and light classical music to a broad audience.
It also specializes in having as much fun as possible, which is why last year, Chafetz emerged from a coffin to conduct the orchestra. This year, the coffin rose in a cloud of smoke but when a costumed Death opened the lid, nothing was in it! Then, as an eerie laugh sounded from the back of the stage, Chafetz came striding out to lead the musicians in a rollicking "Monster Mash." Gary Shin-Leavitt sang the mad scientist's role, as the Maui Concert Chorus of the Maui Choral Arts Association "aaa-ooo"ed in costume from the edges of the stage.

Many audience members were also in costume, and Chafetz prefaced each musical selection by scanning the audience for appropriate costumes. "Do we have any sea creatures here?" he asked before the familiar haunting strains of the "Jaws" theme began. "Any poodle skirts?" before a "Back to the '50s" medley.
For "Funeral March of a Marionette," the orchestra was joined onstage by the young dancers of the Maui Academy of Performing Arts. The dancers acted out the wooden movements of dolls under the enthusiastic direction of young puppet master Ryan Foree.
Now that the crowd was warmed up, the dance floor was lowered into place in front of the stage. Fairy princesses and firemen were already gathering in the aisles, ready to swing and swirl to the orchestra's "Big Bands Selections." Couples tangoed, dads twirled their daughters, and toddlers bounced up and down to Duke Ellington's "Don't Get Around Much Anymore."
During intermission, judges circulated looking for the best costumes, and the second half included an informal "clap-off" Costume Contest. First prize went to a pair of aliens in the adult division and an adorable peacock in the keiki division. In the orchestra, second bassoonist James Perlman captured first prize as a giant insect, although first violinist (and Maui Pops "founding father") Jim Durham also received acclaim in a blond wig and pink tutu topped off with combat boots and a beard.

The audience was in for a treat when vocalists Debra Lynn and Jerry Eiting walked onstage to sing a thrilling duet: "All I Ask of You" from "Phantom of the Opera." Masked choral singers lined the upper balconies and both sides of the stage to sing "Masquerade" - a setup that looked wonderful in their festive costumes, but didn't allow the sound to blend quite as well as it might have.
Then the buttery-voiced Eiting returned with "Music of the Night," garnering bravos from the audience.
As the theme from "Spider-Man" began, a Spidey-suited second violinist Jaz Jernaill leapt to the stage and prowled the theater, to the watching kids' delight. "We don't really have fun in this orchestra; you can tell it's kind of boring!" Chafetz quipped to the audience, as he brought everyone back for an enthusiastic encore.
After almost 2 spooktacular hours, it was time to go home, but many of the kids on the dance floor would have been happy to stay as long as the orchestra would play. Now how's that for some early classical music appreciation?
Maui News Article by Sky Barnhart
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